This website was created for a dual purpose. First to present to the Art Community 2 new
Even Vincent’s famous “Sunflower” paintings depict a continuous biblical “Hidden Image Story Line”
UPDATE: JUNE 2011
SELF-PORTRAIT WITH STRAW HAT / MARCH-April 1887
On June 21, 2011 it was posted in a world-wide briefing that Van Gogh’s “Self-Portrait” is actually depicting his brother Theo.
This assumption is without merit. – Vincent’s brother Theo was a sophisticated bourgeois business man who would not have chosen a straw hat as his attire in conjunction with a suit jacket and tie.
In a fashion conscious city like Paris it would have been a faux pas and Theo as an Art Dealer had to preserve a dignified image. Had Theo been seen with such an attire he would have been ridiculed, hence had been the laughingstock in the conservative Art Business.
The mismatch of clothing was not Theo’s style but fit Vincent’s choice perfectly.
All of Van Gogh’s Self Portraits have a “Hidden Image of a Lamb” artfully designed into Vincent’s face. The reason: Vincent considered himself as the suffering “Lamb of God” and expressed his view in all of his self-portraits by adding a “Hidden Lamb”.
The “Self-Portrait with Straw Hat” has the “Hidden Lamb” as well; therefore the painting is a depiction of Vincent Van Gogh. Had it been a depiction of his brother Theo the image of the “Hidden Lamb’ would have been omitted.
The Experts mention that the ear in the portrait was too round to be Vincent’s ear. If there is anything constructed in Vincent’s paintings which appears to be odd or unusual it is purposefully done by the painter to accommodate the outline of a “Hidden Image”.
UPDATE: JUNE 2, 2009 –
The Van Gogh Museum routinely denies authentication of paintings submitted by private parties. I am not their only victim as there are other individuals world wide affected by their apparent neglect or utter incompetence.
The VGM refusal to authenticate was accompanied by a disclaimer, which has the intent to circumvent any future legal action against them.---It reads as follows: “The Van Gogh Museum does not guarantee the correctness of its opinion” – “Dutch law is applicable”
The first Painting on my website is entitled: “Shepherd Entering Nuenen” Size: 20 by 16 inches or 51 by 40 ½ cm --- It is painted on wooden board.
SIGNATURE: Vincent signed his paintings applying various forms and methods as well as using abbreviations such as a single “V” or “V.G.” – The Van Gogh Museum only publishes Vincent’s “Standard Signature” consequently concealing the variations from the public.
The town of Nuenen “Church” in this painting is identical to the one depicted in Vincent’s work entitled “Landscape with Church and Farms” which is part of the collection on this website. You will be able to compare!
The disciples of Christ are returning from a fishing expedition. They are
The "Fishnet Holder" is filled to its capacity and ready to burst. The "Net"
This is Vincent's 19th Century depiction of a 1st Century fishing boat. At
The second painting does not look like a typical Van Gogh as it is lacking heavy paint application.
Japanese Cherry Tree....................................Tree Study
The image on the left is the front of the painting, On the right is the back
In the pages to follow we will demonstrate the compelling evidence that we
January 2008 update:
The following is a letter received by the owner of the painting from the
For a large size version , please click on the image below.
Is the V.G. Museum Staff concerned that my findings could jeopardize their holdings and
A copy of Van Gogh’s ”Sunflowers” was purchased by the Yasuda Corporation of Japan .